North American tour kicks off February 17 in Albany, New York
John Mayer has announced concerts for his ‘Sob Rock’ Tour 2022, kicking off Thursday, February 17, in Albany, New York, running through Thursday, April 28 in Chicago, Illinois. Produced by Live Nation, the tour features stops in New York at the new UBS Arena in Belmont Park (March 1st) and Madison Square Garden (February 20), and two nights at the Forum in Inglewood, California (March 13 & March 15), among others. Tickets go on sale starting Friday, July 23rd, at 11 AM at JohnMayer.com. A full listing of tour dates can be found below.
In album news, Sob Rock, the eighth studio album from the GRAMMY® Award-winning artist, guitarist, and producer is available in stores through all DSPs via Columbia Records. Produced by John Mayer and Don Was, and recorded at Henson Studios in Los Angeles, the album marks Mayer’s first solo offering since 2017’s The Search for Everything. A full tracklisting can be found below. Check out Sob Rock here.
A signup to access presale tickets via seated is available now here. Fans can register until Tuesday, July 20, at 9:45 AM. Seated presales start Tuesday, July 20, at 10 AM Local, and run through Wednesday, July 21, at 10 PM Local.
A limited number of VIP packages will be available starting Tuesday, July 20, at 10 AM Local. Premium seats, preshow ‘Sob Rock’ lounge access, exclusive merchandise & more.
Two pairs of front-row tickets will be auctioned off for each show on the tour through https://www.
The video for “Shot in the Dark” was released today and can be seen below. The first single and video from the album – “Last Train Home” – was released last month to critical acclaim. Catch John Mayer performing on ‘TODAY’ on Tuesday, July 20.
About John Mayer:
There’s nobody quite like John Mayer. He has emerged as a GRAMMY® Award-winning artist, celebrated songwriter, and iconic guitar player all at once. The Bridgeport, CT native introduced himself on the quintuple-platinum Room For Squares in 2001 and has earned three #1 debuts on the Billboard Top 200 with the triple-platinum Heavier Things [2003], double-platinum Battle Studies [2009], and gold Born and Raised [2012]. In addition to selling over 20 million albums worldwide and gathering billions of streams to date, he has garnered seven GRAMMY® Awards, including “Song of the Year” for “Daughters,” and has earned a record seven U.S. No. 1s on Billboard’s Top Rock Albums chart and 25 entries on the Hot Rock Songs chart, the most for any solo artist. In 2015, Dead & Company was founded, with Mayer on lead guitar as well as vocals. Since its formation, the band has completed six tours, playing to 3.4 million fans, and has become a record-breaking stadium act. Most recently, 2017’s The Search for Everything bowed at #2 on the Billboard Top 200 and went gold.
For more information, visit Johnmayer.com and Sobroc
Source: Press Release
Masked artist, Casey Sana, released their latest project The Human Experience on July 1st. The latest project features a plethora of crossover-pop.
Of the album’s theme, Casey says:
“The human experience is something we all go through and no one is one emotion all of the time. I generally regard myself as a happy, positive person, but I’d be lying if I said there weren’t days where I felt sad, or anxious, or depressed: that’s what it is to be human. So I created the project to let people know they’re not the only ones having those feelings – good or bad – as well as opening up to people with some of my human experiences.”
The Human Experience features over ten tracks, and covers themes referencing the essence of human life, and focuses on the little details and nuances in-between. Sana states that:
“This project is all about unity for me. There are plenty of things that divide us in this world, so I wanted to tell modern stories which represent the feelings that we all experience at some point in our lives. Some of us will only touch these emotions, whilst others are engulfed by them, but we all feel them nonetheless.”
While Sana hides their face with a mask in public appearances, music videos, including social media. They state that the reason for doing so is “to take away all preconceived judgments and let the music speak for itself. We live in such an identity-driven culture with a label for just about anyone, so I wanted to leave a blank canvas and show that anyone can reach their goals, no matter how big the dream or what obstacles you may be in your way.”
We had the pleasure of speaking with Sana about The Human Experience, what it means to them, elaboration on why a mask is used to cover their face in videos and performances, and their fun music and entertainment favorites.
What is ‘The Human Experience’ to you?
The world can seem like a pretty divisive place at times, but I wanted to make this album to show that we all go through a lot of the same emotions & experiences at some point in our lives; they may not be the same exact situations but the sentiment and the feeling is the same; loneliness, euphoria, childlike wonder, experimenting with identity, new life & new beginnings; these are all parts of the human experience.
There’s quite an eclectic range of genres and styles on this record, how do you tie them all in so that they fit together as one, cohesive message?
I think the idea of The Human Experience really gives a sense of freedom to explore because, like humans, no one is 1 thing all of the time: we’re dynamic beings who feel so many different emotions on a daily basis.
When you’re sad it doesn’t feel the same as euphoria, so when I’m creating music my focus is on whether or not it captures the emotion I’m going for, not whether it fits in ‘my genre’ or not.
Why do you wear a mask in videos and performances?
I like the idea that with my face covered, it could be anyone up there. Black, white, man, woman, all of the above or none of them. I’m really looking forward to playing with that concept more and more as we release new videos and new music to show that it doesn’t matter who’s up on stage, the message of the music still remains!
Who has influenced your sound?
I think The 1975 being able to show that you can have songs from a bunch of different genres has been really awesome to see – sometimes I remind myself how crazy it is that “Somebody Else” and “People” were made by the same band, and that really helps me not get boxed in when I’m making music.
What’s in heavy rotation on your playlist right now?
My playlist is a mess! I really love exploring new music so there’s everything in there, from The Beatles to Buju Banton, Nina Simone to the Arctic Monkeys, and A LOT of Harry Styles…
For me, I’m not one of those people who has a different playlist for every mood or genre, I’ve always just separated music into 2 categories when I listen to it: music I like and music I don’t.
I know artists say songs are like babies, but if you HAD to choose a favourite from The Human Experience, what would it be?
I love all my songs equally… but I love Baby Boy a little more equally than the rest just because of what it means to me and my family. To be honest, I’m actually really excited about a couple of songs that aren’t even out yet, so that answer will change in the near future I’m sure…
The wait is finally over, Stagecoach is back in the saddle this April 29 – May 1, 2022. We couldn’t be more excited to bring your favorites Thomas Rhett, Carrie Underwood, and Luke Combs to our party in the desert. Passes go on sale starting this Friday, July 16 at 10 am PT at stagecoachfestival.com.
The 3-day event will also feature performances by Maren Morris, Brothers Osborne, The Black Crowes, Midland, Lee Brice, Cody Johnson, Jordan Davis, Cody Jinks, and more.
New to the festival are California’s homegrown, Compton Cowboys. They are a crew of ten Black horseback riders whose small ranch is one of the very last in a semirural town in Compton called Richland Farms — and they are bringing their horses to Stagecoach to tell their story and share in the experience.
“We love country, we love the music, we love the culture and we’re stoked to be around folks that get it,” says Randy Savvy, Managing Member of the Compton Cowboys. “I’ve been listening to country music for a long time and we’re looking forward to bringing Compton Cowboys and our horse gang to the festival.”
This year YouTube and Goldenvoice are announcing a newly formed partnership which includes an exclusive, first-time live stream of the famed Stagecoach festival on the platform. The three-day festival will stream live on Stagecoach’s Official YouTube Channel from April 29 through May 1.
“We are so excited to be adding Stagecoach, Country music’s biggest festival weekend, into our live stream lineup for the first time ever,” says YouTube’s Head of Live Music and West Coast Artist Relations Ali Rivera. “2022 marks our 10th year partnering with Goldenvoice to stream some of their most coveted music festivals like Stagecoach and Coachella. We are both honored and proud to be bringing three consecutive weekends of extraordinary live music to fans around the world next year.”
Fan-favorite Guy Fieri’s Stagecoach Smokehouse is back again for its third year to reveal new chefs, pit bosses, and BBQ vendors. Guy and friends will be showcasing their pits and rigs and offering taste tests to fans throughout the weekend with live demos. Stay tuned for the full food lineup.
“I’m stoked to be firing up my Stagecoach Smokehouse again this year where we’ll be cookin’ up some bad ass bar-b-que,” says Guy Fieri. “So, ride on down to Flavortown and hang out with me, my buddies and some real deal pit masters from around the country.”
Returning to the festival this year is the SiriusXM Spotlight Stage, which will once again highlight today’s rising stars like Breland, Caylee Hammack, Hailey Whitters, and others. In addition to the Spotlight Stage, SiriusXM is proud to announce the return of Stagecouch Weekend, featuring headliners Luke Combs and Thomas Rhett, as well as new performances from Dierks Bentley, Old Dominion, Maren Morris, Carly Pearce, and more. Stagecouch Weekend begins July 16 at Noon ET through July 18 on SiriusXM’s The Highway (ch. 56). For more information please visit here.
The Honkytonk Dance Hall also makes a comeback in addition to High Class Hillbilly owner and singer Nikki Lane’s Stage Stop Marketplace. Additionally, the Country Music Association will once again partner with Stagecoach to host a very special CMA Songwriters Series performance. Additional details including lineup will be shared in early 2022.
Pass Prices:
3-Day General Admission $379
3-Day General Admission/Shuttle Combo $439
3-Day Corral Standing Pit $1,299
3-Day Corral C1 Reserved Seating $1,299
3-Day Corral C2 Reserved Seating $829
Preferred Parking $99
Any Line Shuttle Pass $70
Companion Camping Parking $55
**plus fees
Take advantage of the payment plan to divide your order into the lowest monthly payments. Shuttle passes, tent, yurt, and BYO RV reservations on the Safari Campground as well as Travel Packages that bundle festival passes with local hotel accommodations for 2 or 4 people are available via Valley Music Travel.
We will continue to monitor the world around us and communicate more as we gain guidance from health officials and as we near our event dates. Stagecoach is produced by Goldenvoice.
The STAGECOACH 2022 lineup is as follows:
Amythyst Kiah
Brandi Carlile
Breland
Brothers Osborne
Callista Clark
Carrie Underwood
Caylee Hammack
Charley Crockett
Cody Jinks
Cody Johnson
Colter Wall
Flatland Cavalry
Hailey Whitters
Hayes Carll
Ian Noe
Ingrid Andress
Jesse LaBelle
Jimmie Allen
Jordan Davis
Laci Kaye Booth
Lainey Wilson
Lee Brice
Lindsay Ell
LOCASH
Luke Combs
Marcus King Band
Maren Morris
Margo Price
Midland
Mitchell Tenpenny
Molly Tuttle
Neal McCoy
Orville Peck
Reyna Roberts
Rhiannon Giddens
Ryan Griffin
Ryan Hurd
Shenandoah
Shy Carter
Smokey Robinson
Tanya Tucker
The Black Crowes
The Cactus Blossoms
The Mavericks
Thomas Rhett
Travis Denning
Turbo
Walker County
Waylon Payne
Yola
Find Stagecoach on Instagram, Facebook, and Twitter
Source: Press Release
“This track is dedicated to the eternal loving memory of Juan D. Nelson. Since 1993, Juan Leon and I spun around this world as fast and as far as we could dream together,” Ben reflected.
“I always have a few projects going at once,” Ben explained. “One of them is a reggae album which I’ve been working on for a while now. ‘Spin It Faster’ is the first single from this collection.”
Announced on July 2, coming off of the release of her highly-praised, sassy new single “Come In (But Don’t Make Yourself Comfortable),” indie country/pop singer-songwriter Caroline Jones today released “The Raglan Sessions,” an unplugged performance series alongside New Zealand bluegrass group The Trenwiths. Set atop a breathtaking cliffside in Raglan, New Zealand, the stripped-down session features a handful of Caroline’s original songs such as “What A View” and “Rise,” as well as covers of Mandolin Orange’s “Wildfire,” Emmylou Harris’ “If I Needed You,” “Wayfaring Stranger,” and more. To view these performances, as well as commentary on how the recording came about, view the video below:
“I was fortunate enough to spend most of the past year in New Zealand, where I met The Trenwiths, a bluegrass band whose founding members have been playing together since the 1960s,” said Jones. “Their family band now consists of three generations of musicians and singers. They are some of the most good-humored, good-natured, authentic people I’ve ever had the pleasure of being around. Before I left New Zealand to come back to America, I brought a couple of cameras along to capture one of our jams, which we edited down into this video called ‘The Raglan Sessions’.”
Having relocated to New Zealand towards the beginning of the pandemic, Jones set out to find inspiration and work on her sophomore studio album. Always open to trying different styles of music, and as COVID cases eased, she researched local musicians and was introduced to The Trenwiths, a bluegrass harmony band made up of two brothers and their father. This is the second time the two have worked together, as their first collaboration was in November 2020 for a two-track holiday collection, Silver Bells, featuring upbeat bluegrass renditions of holiday classics “Silver Bells” and “Winter Wonderland.” Watch their studio session:
Jones has been busy creating new music over the past year. In May, the multi-instrumentalist released her current single “Come In (But Don’t Make Yourself Comfortable)” from her forthcoming sophomore album (expected late 2021), as well as the accompanying, cinematic official video filmed at a ‘western-style’ bar in New Zealand, co-written and co-produced by Jones also.
“USA Today”‘s bestselling author Emilie Richards‘ latest novel, “The House Guests,” centers around teenager Savannah, whose father has recently passed away and is rebelling against her stepmother, Cassie, since her father’s death. Cassie finds a pouch filled with cash in a parking lot while out with some friends whom she’s trying to impress, and decides to keep the pouch of cash in defiance. When her stepmother learns of what Cassie’s done, after she’s spent the money, she learns that the money belongs to a woman named Amber, who has been evicted along with her teenage son, Will, due to them being unable to pay their rent after losing the pouch of money. She then invites Amber and Will to move in with them, and as they become more involved in each others’ lives, the teenagers develop a friendship while the mothers do also. Cassie is determined to figure out what happened to her husband in the months leading up to his death (i.e., becoming distant, draining their bank account, and leaving them with nothing), it’s becoming clear that Amber herself is hiding and outrunning something dark from her past.
Author Emilie Richards has written more than seventy novels, has appeared on national television, and has been quoted in “Reader’s Digest.” She was born in Bethesda, Maryland, and raised in St. Petersburg, Florida, and has been married for more than forty years to her college sweetheart. She splits her time between Florida and Western New York, where she is currently writing her next novel.
Purchase “The House Guests” on Bookshop.org, Amazon, Amazon (Print), Barnes & Noble, IndieBound, Books-A-Million, Apple Books, Google Play, Kobo, and Audible. Read an exclusive excerpt from “The House Guests” below:
1
Amber Blair had spent most of her thirty-four years trying not to think about luck. Her daddy had told her there were only two kinds. Either you came into the world with the luck of the early bird or the early worm. The kind he’d been born with was obvious. Nothing that had gone wrong in all his years had to do with simply hanging around the edges of life, waiting for something good to fall in his lap. It was all about luck.
Her mother, tight-lipped and seething, had rarely voiced opinions. As a receptionist at the Halfway to Paradise motel, she had been too busy checking people in, and giving out room keys—and probably a little extra—to worry about luck.
Like most people, Amber had acquired something from both parents. She had inherited her father’s early worm luck, oddly coupled with her mother’s work ethic. Against tremendous odds she had scrambled to support herself and her son on her feet in restaurants, instead of on her back in cheap motels. Her mother had been remote and disinterested, but years of watching her determination to survive had helped.
“Haven’t seen you for a while.” The manager at the cash register of Things From the Springs greeted Amber with a wide smile. She was middle-aged and overweight, refreshingly unaware that spandex and sequins weren’t good choices for minimizing either. Her plastic nameplate read Ida, but Amber had never told Ida her own name, a habit she’d developed after leaving home at sixteen. Still, Ida never forgot a face.
“It has been a while,” Amber said.
“You feeling better?”
Amber wasn’t surprised that Ida remembered the day two months before when she had fainted facedown in the women’s clothing aisle, strawberry blond hair spread wide on a table stacked with shorts and T-shirts. The manager had insisted Amber go right to the hospital. Amber had thanked her, then headed to work instead. Three days later, though, she had seen a doctor after Will, her son, gazed at her in horror and announced that her green eyes were rimmed by an ominous yellow.
Of course, the news hadn’t been good. Hepatitis A had arrived with a flourish, and she had been so dehydrated that, despite all her protests, she’d been hospitalized for a day, a bill that had nearly sunk them.
Health insurance was a luxury she had never indulged in.
“Yes. Definitely better,” she said now. She didn’t add that she still tired easily or that she was struggling to regain the weight she’d lost. Jaundice, the colorful bonus, was finally gone, and she was back at work.
“You were caught up in that hepatitis thing, weren’t you? The one at that restaurant…” The manager snapped her fingers. “Electric something?”
“Dine Eclectic.”
“You closed for a while, right?”
Because two of the kitchen staff had also been infected, Dine Eclectic, the much promoted addition to restaurants in Tarpon Springs, Florida, had closed until health inspectors had given permission to reopen. Amber had been forbidden to go back to work until the jaundice and other symptoms disappeared. During most of the weeks of illness, she had been far too sick to work even if she’d wanted to. She certainly had needed to, because from an armchair in the apartment she shared with sixteen-year-old Will, she’d watched the savings she had so carefully hoarded dwindle to nothing.
“We’ve been open again for a while now,” she said. “We’ve passed all the inspections. The problem was an infected line cook. Luckily hepatitis A is almost never fatal.”
“I imagine the publicity wasn’t good for business.”
More customers arrived, and Amber headed for the rear of the store and the men’s section.
Things From the Springs was smaller than many thrift stores she’d frequented. They were loosely affiliated with a local children’s charity, and volunteers did much of the sorting and pricing.
She liked visiting Things because she could be in and out in less than an hour, often with vintage clothing she could cut and use for crafts to sell in her Etsy shop. An example was tucked securely in her purse today, a zipper pouch created from a brocade jacket and embroidered with the name of her landlord’s wife. It had turned out so well she posted a photo on her shop’s page, hoping to get orders for more.
The pouch bulged with money, mostly tips she had carefully collected to pay one of the two months of back rent she owed. Even after she’d showed her suspicious landlord a letter from the health department, he had begun eviction proceedings. She had managed to stave him off, promising to pay the first month today and the second in two weeks. She hoped the additional gift for his wife might make him feel better about his decision.
Her son had been more than patient during her months of unemployment. Will was a straight A student at the local high school and held down a part-time job stocking shelves at a local grocery store. He had taken on additional hours during her illness and brought home expired or damaged food that was destined for salvage stores or landfills. He had treated his quest like a treasure hunt and never wished out loud that his life was more like the easier ones of the other teens in his advanced placement classes.
Will wasn’t perfect. He was sometimes messy, sometimes oblivious, often determined his way was best, but they’d been a team, just the two of them, from the very beginning of his life. And Amber knew her son would do anything for her, just as she had done everything for him. Much more than Will knew.
Today if she had early bird luck, she was going to buy him a surprise. Things From the Springs had a special rack dedicated to sports teams, and there was always a good selection. She was hoping to find one with the pirate flag of Will’s favorite professional football team, the Tampa Bay Buccaneers. For the first time, her tips from the night before had been nearly as large as pre-hepatitis days, and she was hopeful she might be digging her way out of trouble. She would be happy just to pay rent on time, put a full tank of gas in the car and buy fresh food at the grocery store now and then.
Fifteen minutes later she was on her way back to the front of the now-empty store, a paper-thin but appropriately logoed T-shirt clutched under her arm. The size and price were right, and while Will wouldn’t get much wear before it fell apart, he would be delighted.
She was starting to feel lucky. Her landlord had begrudgingly given her a little time to settle their account. After everything she still had her job, and restaurant traffic showed signs of improving. Today she had just enough extra to buy the shirt.
“You found something,” Ida said. “I saw you heading to the back.”
“It’s for my son.” Amber laid the shirt on the long counter. “He’s a Bucs fan.”
“These have been going fast. Apparently, he’s not alone.” She rang up the amount as Amber reached down to unzip her purse.
Only the purse wasn’t zipped.
She spread it wide and peered inside. Without ceremony and with more than a touch of panic, she dumped the contents on the counter. Keys fell out. A pack of tissues. Her tiny coin purse, which held the extra money she hadn’t put into the zip purse destined for the landlord and his wife. Nothing else.
“Run into a problem?”
Amber gazed at the concerned woman’s face. “I had a zipper pouch in here, dark green silk, a name embroidered across it.”
Ida read her expression correctly. “Did you open your purse here in the store? Could the pouch have fallen out?”
Amber knew she’d had the zipper pouch when she left her apartment. She’d so carefully slipped it inside the purse. Surely she’d zipped it closed. She always did. She had lived in cities with pickpockets. But by now panic had obliterated all memories of the past hour.
“I had it when I left my house.”
“We’ll look together.” As Amber scraped her belongings back into her purse, the manager walked to the door, turned the lock and flipped the Closed sign. “That will buy us some time. We’ll find it.”
Half an hour later, though, they were still empty-handed. They’d looked under tables, sorted through all the shirts in the back, followed Amber’s route through the store four separate times peering at the ground.
“I’m so sorry,” Ida said. “But I have to unlock the front door. The high school lets out about now. They’ll start banging on the glass. I just know you’re going to find it somewhere. Your house or car maybe?”
Amber knew she wasn’t. The truth was a tight knot in her stomach, all too familiar. She’d been slapped down again. The landlord wouldn’t believe her, and who could blame him? He probably didn’t need the money right away, but he would be furious she’d lied to him.
She and Will would see that eviction notice after all.
“Thank you for helping me look.” Amber cleared her throat. “I don’t think I’ll buy the shirt.
“Why don’t I just let you have it?”
“No.” Amber took a breath and softened her tone. “But thank you.”
She followed the manager to the front door as she unlocked it. “You’ll let me know when you find it?” Ida asked.
Amber managed the tiniest of smiles. But in her mind she saw the early worm being swallowed, inch by wiggling inch. And somewhere, after the meal, a fat, happy robin was looking for more just like it.
Excerpted from The House Guests by Emilie Richards, Copyright © 2021 by Emilie Richards McGee. Published by MIRA Books.
Blues-rock guitarist, Seth Lee Jones, is pleased to announce that he will be releasing Flathead via Horton Records on September 10th.
What you hear on that record, it’s what you’re going to get live,” says Jones of his new album, a collection of nine rocking, road-tested blues covers. Recorded at Teegarden Studios in under seven and a half hours, straight to tape with no edits or overdubs, the tracks crackle with energy. They’re some of the band’s personal favorites, finely honed over years of performances at a weekly residency at Tulsa’s legendary venue, The Colony.
“We run a democratic ship in my band, and there’s never any drama,” Jones says of bandmates bassist Bo Hallford (Paul Benjaman) and drummer Matt Teegarden (Chris Duarte.) Teegarden is also the son of Grammy winner David Teegarden (Bob Seger, JJ Cale, Joe Walsh.) “It was a team effort to pick those songs.” While Flathead celebrates musicians as diverse as Muddy Waters and Roger Miller, the band puts its spin on each tune. Jones brings his open tuning to the band’s version of Muddy Waters “I Can’t Be Satisfied,” and his baritone guitar gives a sharp edge to “Moving Me (Way Too Fast),” written by fabled Tulsa bluesman, the late Steve Pryor. Ray Charles’ “Mary Ann” enabled Jones to pay tribute to one of his (and Pryor’s) musical heroes and an opportunity to utilize the prodigious skills of guest guitarist Mike Satawake.
A third-generation guitar player and a skilled luthier, Jones was born into a musical family in Tulsa, moving to Los Angeles at fifteen. He later studied classical and jazz at LA Valley College and graduated from Hollywood’s Musicians Institute at the top of his class. Jones returned to his hometown in 2010 when the lure of affordable housing and an inspiring local music scene proved irresistible. His first release was Live at the Colony (2018)
Jones regularly finds time to pursue his parallel passion as a guitarist and performs with his band as well as musician Jared Tyler and the band Saugeye. In the past, he’s played with roots country musician Jacob Tovar and the jazz-influenced Gogo Plumbay. He also played on the critically lauded Back To Paradise: A Tulsa Tribute to Okie Music.
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Best-selling author Lori Foster’s latest novel, “The Summer of No Attachments,” tells the story oView postf two best friends who find themselves crossing paths with two brothers who are new in town, and one has a little boy. The story revolves around second chances in life and love, along with themes of family and rescued animals thrown into the mix. Foster’s first book publised in 1996, and she has landed on the New York Times, USA Today, and Publisher’s Weekly bestseller list. She lives in Central Ohio with several cats, and enjoys drinking coffee and spending time with her grandkids when she’s not writing books. Visit her website at LoriFoster.com
Purchase “The Summer of No Attachments” from any of the links below:
GRAMMY Award-winning rock band Switchfoot confirmed that their new album Interrobang will be released on August 20th, 2021 via Fantasy Records. interrobang is the follow-up to 2018’s Native Tongue and last year’s Covers EP. The band also shared the sparkling new track, fluorescent,” the second song from interrobang, following the recently released “i need you (to be wrong).” Listen to “fluorescent” and pre-order interrobang HERE.
Brimming with child-like imagination and a futuristic mindset, Switchfoot reaches a bold new creative peak on interrobang, the 12th full-length album of the multi-platinum selling rock band’s 20+ year career. Working with producer Tony Berg (Paul McCartney, Phoebe Bridgers, Andrew Bird) at both Sound City studio in Van Nuys, CA and the band’s own studio in Carlsbad, CA, Switchfoot: Jon Foreman, Tim Foreman, Chad Butler, Jerome Fontamillas, and Drew Shirley recorded the album in a burst of pent-up mid-pandemic creativity throughout last year and into 2021. Fearlessly marrying 60’s experimentalism and synth-driven new wave swagger, the band pushed past its comfort zones and retooled its sound.
“More than ever, we want our music to be a bridge, reaching out with melody and lyrics to sing an honest song for anyone who’s got ears to hear,” says Switchfoot frontman Jon Foreman. “interrobang is an album that celebrates the journey, even when the arrival is unsure. interrobang is the sound of joy and pain, faith and doubt against the backdrop of the strangest, most difficult year we’ve ever experienced.”
An absorbing series of sharply drawn short stories underscored by a dizzying array of textures both vintage and modern, interrobang’s themes of alienation and self-reflection are amplified by the record’s inventive use of density and dynamics. Credit veteran mixer Tchad Blake (Arctic Monkeys, Fiona Apple) with aiding the album’s three-dimensional sound.
Interro is derived from “interrogation point,” the technical name for the question mark, and bang is printers’ slang for the exclamation point. Seeking freedom from the broken promises and failed expectations of 21st century America, on interrobang Switchfoot takes the listener on a twisty, surprising technicolor ride, all the while asking hard questions with eyes wide open.
On June 19, Switchfoot virtually hosted their 17th Annual Bro-Am with a livestream concert and fundraiser. The event featured performances from Switchfoot, Phantom Planet, Andrew McMahon, Madison Cunningham, and more.
Recently, Switchfoot announced they will join longtime friends NEEDTOBREATHE on their Fall 2021 “Into the Mystery Tour”, along with rising indie-pop group, The New Respects. The 37-city run kicks off on September 7th in St. Louis, MO, and will hit major markets across the U.S. including Red Rocks Amphitheatre in Denver, CO, The Greek Theatre in Los Angeles, CA, and Bridgestone Arena in Nashville, TN. For tickets and more information, visit www.switchfoot.com.
INTERROBANG TRACK LIST
1. beloved
2. lost ‘cause
3. fluorescent
4. if i were you
5. the bones of us
6. splinter
7. i need you (to be wrong)
8. the hard way
9. wolves
10. backwards in time
11. electricity
ABOUT SWITCHFOOT
San Diego’s alt-rock quintet Switchfoot has been continually breaking musical barriers in their 20+ career. They have sold almost 10 million copies worldwide of their eleven studio albums (including their 2003 double-platinum breakthrough ‘The Beautiful Letdown’ and 2009’s Grammy Award-winning ‘Hello Hurricane’), racked up a string of Alternative radio hit singles, and have had songs in numerous TV shows and movies. They have also performed sold-out tours with over 5 million concert tickets sold in over 40 countries around the world. Switchfoot has raised millions of dollars to aid kids in their community through their BRO-AM Foundation. Their emotionally intelligent and uplifting brand of alternative rock has earned Switchfoot a devoted and loyal global fan base. Switchfoot is Jon Foreman (vocals, guitar), Tim Foreman (bass), Jerome Fontamillas (keys, guitar), Drew Shirley (guitar), and Chad Butler (drums).
Connect with Switchfoot on Instagram, Facebook, Twitter, and TikTok
Source: Press Release
Songwriter and guitarist, Carl Bell, and drummer, Kevin Miller, reform Fuel with new singeJohnr, John Corsale
Band teases first new single “Hard,” releasing on July 9, 2021
Watcher teaser trailer below:
Multi-Platinum alternative rock icons Fuel today announce the upcoming release of their first album in 18 years, ÅNOMÅLY, due out in October 2021. The 11 original tracks were written by songwriter/guitarist Carl Bell reunited with original Fuel drummer Kevin Miller, accompanied by new singer John Corsale [lead vocals, guitar], Mark Klotz [guitar, vocals], and Tommy Nat [bass, vocals].
Founding member Carl Bell, sole songwriter of all lyrics and music to all previous FUEL hits, returns to the helm as primary songwriter, and also as the producer. He even mixed the album. Carl wrote and recorded the songs in his Las Vegas studio with vocals recorded at Soundmine Recording Studio and King Studios in Pennsylvania.
Carl and Kevin recently shared a video of their emotional in-person reunion after a decade. In a video posted on Facebook, fans reacted with the expected reverie as Fuel reignited their relationship with each other and with their fans.
“We were just patient with each other,” Carl says, “From the first conversation, I recognized the same feeling in Kevin’s voice. Fuel was huge for us. It was a great moment in our lives, and Kevin was as grateful for the opportunities that Fuel gave us as I was. We bonded on that fact. I would’ve taken a bullet for him—I still would.”
Kevin says, “For me new beginnings are exciting, but more often than not they scare the shit out of me! As much as I love touching my toe to new water I’m always afraid of the creatures lingering in the depths. I am incredibly excited about this new venture and new lineup of Fuel. Making this record shed a lot of light on what will be, such an amazing amount of talent in this band.”
New singer, John Corsale hails from Pennsylvania and joins Fuel as Kevin and Carl reunite after a decades-long separation.
Carl adds, “A few months ago I had no idea I would be returning to FUEL full time, so when it happened, my first call was to Kevin. He simply said, ‘I have the band. I promise you, these are the guys.’ He was right. All are great musicians, and John is this 26-year-old great guitarist as well as a great vocalist and frontman. He sounds fantastic on the album and amazing on our previous hits as well. From the moment I first heard him play and sing I thought, wow … this just got real interesting.”
The first single from ÅNOMÅLY, “HÅRD”, (the first song in the teaser), will be released on July 9, 2021, via Moon Chair Media/ONErpm and will introduce John Corsale to fans eagerly awaiting this new music, also marking a new era for the iconic band.
Carl posted an audio snippet via Facebook and fans raved:
- “God, I’ve missed Kevin Miller! And I’ve missed the Carl Creativeness! It’s been a loooong time since I’ve been excited for an album by any band.”
- “WELCOME BACK! The world needs Fuel music!”
- “Dang, I won’t lie, that’s sounding pretty awesome.”
- “Love it, classic Fuel!”
- “I need this blasting through my speakers”
- “Literally freaking out now!!!”
- After 14 years away, Carl and Kevin brought Fuel back to life in 2021. Their return may have been unexpected, but it couldn’t be more welcome.
Fuel will announce tour dates soon.














